
The last couple of posts in the From Needle to Needle series have covered context: the key roles in the pattern production process and discussed something of the current challenges for handknitting designers. This is a bit of a series within a series discussing the stages of design process, beginning with how to ‘find’ knitwear design inspiration.
What is (knitwear) design?
Design is an interdisciplinary subject with care and communication at its heart. The most powerful, well-loved and transformative designs connect humans together, but there are several starting points. You don’t necessarily have to be good at painting or drawing, but you do have to be good at articulating your thoughts. Don’t edit until further down the line; treat it more like a brain dump, let it all go. When you’re in full flow, embrace it and don’t second-guess yourself. The inspiration stage is when your brain is firing on all cylinders, so don’t short-circuit yourself. Save refinement for when your brain is ‘cooler’, later on in the design process.
Where can I find knitwear design inspiration?
There are lots of approaches to design, or roots of ideas. Knitwear design inspiration can strike anywhere, but the key is to be honest about what interests you. You will automatically have more to say when you are true to yourself. If you don’t yet know what you like or are interested in, take your time finding out. There’s no rush. But if you’re really stuck, here are nine examples:
- Aesthetic/visual: Seeing something beautiful or unusual
- Conceptual/abstract: embodying symbolism or ideas
- Curiosity: What might happen if I try X?
- History/literature: People of the past, stories, costume, narratives
- Lived experience: Maternity wear, life-changing events or illness
- Memorable events: Something profoundly moving
- Problem solving: How can I make X better?
- Socio-political/cultural: commentaries, references to contemporary events.
- Yarn: Sometimes the yarn is the germ and you just HAVE to create something to show it off!
How to find knitwear design inspiration? Move towards whatever makes you feel most alive, what brings pleasure, what sparks enthusiasm or an emotional response.

Sometimes it can be a combination of two or more of these; sometimes you might be inspired one way for one design, and another way for one design. But no matter your starting point, know that your desire to create comes from a natural impulse to share, communicate and nurture. “I made this because I thought…”
…it would make you happy…
…I could improve or innovate something…
…something else was beautiful and I wanted to capture it somehow…
…_________________________ you fill in the blank.
What do you want to say with your design? How are you trying to connect with people?
The Best Designs are Empathetic
Not necessarily altruistic, because altruism involves an element of self-sacrifice – and that’s not always the way to go. Don’t work in a way that sacrifices too much time or energy. Self-care is vital for creatives because the act of creating takes a lot of physical, mental, emotional and spiritual energy. You cannot pour from an empty cup, so remember that when you’re in demand 😊
You can draw on your own background to tell more powerful stories, but be prepared for the feelings that may bubble up as you find ways to connect with people, or as you find or wait for the right expression. For example, trauma has led to some powerful work: Sylvia Plath, Amy Winehouse, Donny Hathaway.
Make sure you have plenty of support: creating and designing is an emotional process, and the physicality of it – particularly with something crafty like knitting (also drawing, painting, playing a musical instrument) that relies on muscle memory – will stir things up as you feel your way through the project and articulate the message. Creative power doesn’t always feed on negative emotions; joy can be equally powerful.

Don’t let your fears get in the way of finding inspiration
Deep feelings may also bubble up if you were held back or discouraged about your abilities, frustrated by lack of support or knowledge; or that you are so excited about the prospect of getting to fulfil a dream, and you feel that now is your time to shine! Perhaps part of your motivation is creating and holding space for yourself and others; space that was denied for some reason. Everyone has their reasons for designing, so take the time to find yours: it will be unique. Never mind what other people appear to be doing. Your voice and its message must be undiluted.
However you approach design, and whatever you have to say for yourself, make sure you have a means of recording your ideas. Keep a journal, have someone to talk to, get some fresh air – find things to do that will allow you to discharge and metabolise energy blockages. Get it out of your system – express it, express yourself. By doing this you filter out the chaff, grit and sediment, keeping the golden grains and seeds of your ideas. Make sure you keep the seeds! You’ll need them later on. <3
If you love the idea of drawing and keeping a journal of your knitwear design inspiration ideas, what’s stopping you? Get a sketchbook or sketchpad, some drawing pencils, and start learning how to communicate visually! This course will help you:

Visual Communication: Pencil control and the greyscale | Knitwear Design Initiation taster course
Knitwear Design Initiation | Visual Communication taster course
A 1-hour introductory drawing course or refresher for those who haven’t used their art materials for a long time.
It’s accessible to anyone who wants to make a start on or improve their drawing skills, but the techniques covered prepare you for the nuance of illustrating soft textures of knits.
This class on pencil control and the greyscale was designed especially for drawing out your latent sensitivity and artistry. The marks you make on the paper will range from the wispiest grey to the earthiest charcoal. This vocabulary will also improve your observational skills because you’ll have the means to draw what you see.
The Visual Communication taster is the first step away from the frustration of not being able to draw from life, or the disappointment of your drawings not looking the way you want them to. In just over an hour, you’ll never look at pencil and paper the same way again!

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